Janet Jackson Concert Unbreakable Best Tour Tickets Fedex Forum Memphis in Memphis, Tennessee For Sale

JANET JACKSON UNBREAKABLE TOUR TICKETS
Janet Jackson Tickets
Fedex Forum
Memphis, TN
Tuesday
9/29/xxxx
7:00 PM
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Updated Janet Jackson Concert Tickets Unbreakable xxxx & xxxx Tour
Janet Jackson Tickets Unbreakable Tour!
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Scotiabank Saddledome
Calgary, Canada
Wednesday
9/2/xxxx
8:00 PM
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Rexall Place
Edmonton, Canada
Friday
9/4/xxxx
8:00 PM
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Revolution Place
Grande Prairie, Canada
Saturday
9/5/xxxx
7:30 PM
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SaskTel Centre
Saskatoon, Canada
Monday
9/7/xxxx
7:00 PM
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Van Andel Arena
Grand Rapids, MI
Friday
9/11/xxxx
8:00 PM
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PNC Pavilion At The Riverbend Music Center
Cincinnati, OH
Saturday
9/12/xxxx
8:00 PM
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Air Canada Centre
Toronto, Canada
Tuesday
9/15/xxxx
8:00 PM
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Walnut Creek Amphitheatre
Raleigh, NC
Thursday
9/17/xxxx
8:00 PM
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PNC Music Pavilion - Charlotte
Charlotte, NC
Friday
9/18/xxxx
8:00 PM
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American Airlines Arena
Miami, FL
Sunday
9/20/xxxx
8:00 PM
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Amway Center
Orlando, FL
Wednesday
9/23/xxxx
8:00 PM
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Amalie Arena
Orlando, FL
Thursday
9/24/xxxx
8:00 PM
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Chastain Park Amphitheatre
Atlanta, GA
Saturday
9/26/xxxx
8:00 PM
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Ascend Amphitheater
Nashville, TN
Sunday
9/27/xxxx
8:00 PM
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Fedex Forum
Memphis, TN
Tuesday
9/29/xxxx
7:00 PM
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Smoothie King Center
New Orleans, LA
Wednesday
9/30/xxxx
8:00 PM
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Bill Graham Civic Auditorium
San Francisco, CA
Tuesday
10/13/xxxx
8:00 PM
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Bill Graham Civic Auditorium
San Francisco, CA
Wednesday
10/14/xxxx
8:00 PM
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The Forum - Los Angeles
Inglewood, CA
Friday
10/16/xxxx
8:00 PM
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Viejas Arena At Aztec Bowl
San Diego, CA
Saturday
10/17/xxxx
7:30 PM
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Comerica Theatre
Phoenix, AZ
Monday
10/19/xxxx
7:00 PM
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Santa Barbara Bowl
Santa Barbara, CA
Wednesday
10/21/xxxx
7:00 PM
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Santa Barbara Bowl
Santa Barbara, CA
Thursday
10/22/xxxx
7:00 PM
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EnergySolutions Arena
Salt Lake City, UT
Saturday
10/24/xxxx
7:00 PM
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Pepsi Center - Denver
Denver, CO
Sunday
10/25/xxxx
8:00 PM
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Sprint Center
Kansas City, MO
Tuesday
10/27/xxxx
7:30 PM
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Chaifetz Arena
Saint Louis, MO
Thursday
10/29/xxxx
8:00 PM
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Target Center
Minneapolis, MN
Sunday
11/1/xxxx
8:00 PM
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The Chicago Theatre
Chicago, IL
Tuesday
11/3/xxxx
8:00 PM
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The Chicago Theatre
Chicago, IL
Wednesday
11/4/xxxx
8:00 PM
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The Chicago Theatre
Chicago, IL
Friday
11/6/xxxx
8:00 PM
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Neal S. Blaisdell Center - Arena
Honolulu, HI
Thursday
11/12/xxxx
8:00 PM
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Neal S. Blaisdell Center - Arena
Honolulu, HI
Friday
11/13/xxxx
8:00 PM
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Neal S. Blaisdell Center - Arena
Honolulu, HI
Sunday
11/15/xxxx
8:00 PM
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Moda Center at the Rose Quarter
Portland, OR
Tuesday
1/12/xxxx
8:00 PM
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Honda Center
Seattle, WA
Saturday
1/16/xxxx
8:00 PM
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Tucson Arena
Tucson, AZ
Tuesday
1/19/xxxx
8:00 PM
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AT&T Center
San Antonio, TX
Thursday
1/21/xxxx
8:00 PM
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Toyota Center - TX
San Antonio, TX
Saturday
1/23/xxxx
8:00 PM
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American Airlines Center
Dallas, TX
Sunday
1/24/xxxx
8:00 PM
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Quicken Loans Arena
Cleveland, OH
Tuesday
2/2/xxxx
7:30 PM
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Palace Of Auburn Hills
Auburn Hills, MI
Friday
2/5/xxxx
8:00 PM
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Consol Energy Center
Pittsburgh, PA
Saturday
2/6/xxxx
8:00 PM
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Prudential Center
Newark, NJ
Wednesday
2/17/xxxx
8:00 PM
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Sands Bethlehem Event Center
Bethlehem, PA
Friday
2/19/xxxx
8:00 PM
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Barclays Center
Brooklyn, NY
Monday
2/22/xxxx
8:00 PM
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Wells Fargo Center - PA
Philadelphia, PA
Wednesday
2/24/xxxx
8:00 PM
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TD Garden
Boston, MA
Friday
2/26/xxxx
8:00 PM
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Royal Farms Arena
Baltimore, MD
Monday
2/29/xxxx
8:00 PM
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Verizon Center - DC
Washington, DC
Tuesday
3/1/xxxx
8:00 PM
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Philips Arena
Atlanta, GA
Thursday
3/3/xxxx
8:00 PM
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Lawrence Joel Veterans Memorial Coliseum
Winston Salem, NC
Friday
3/4/xxxx
8:00 PM
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Colonial Life Arena
Columbia, SC
Sunday
3/6/xxxx
8:00 PM
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Jacksonville Veterans Memorial Arena
Jacksonville, FL
Tuesday
3/8/xxxx
8:00 PM
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BB&T Center
Sunrise, FL
Wednesday
3/9/xxxx
8:00 PM
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discover the faults of this very unedifying churchman. But he remains, for all that, a genius; and one of the great figures in our history. There is to his credit in general, as has been already pointed out, the great asset of having indicated, and in two notable instances patterned, the out?of?the?way novel--the novel eccentric, particular, individual. There is to that credit still more the brilliancy of the two specimens themselves in spite of their faults; their effectiveness in the literature of delight; the great powers of a kind more or less peculiar to the artist which they show, and the power, perhaps still greater, which they display in the actually general and ordinary lines of the novel, though adapted to this extraordinary use. For though it pleased Sterne to anticipate the knife?grinder's innocent confession, "Story? God bless you! I have none to tell, sir!" in a sardonic paraphrase of half a score of volumes, he actually possessed the The English Novel 48 narrative faculty in an extraordinary degree. He does not merely show this in his famous inset short stories, accomplished as
these are: he achieves a much greater marvel in the way in which he makes his fatrasies as it were novels. After one or two, brief but certainly not tedious, volumes of the Life and Opinions of Tristram Shandy, you know that you are being cheated, and are going to be: at the end you know still more certainly that you have been. You have had nothing of the "Life" but a great deal round rather than about the birth, and a few equivocal, merely glanced at, and utterly unco?ordinated incidents later. If you have had any "opinions" they have been chiefly those of Mr. Tristram Shandy's father and other members of his family, or those of its friends and circle, or of those shadowy personages outside the pretended story, such as Eugenius and Yorick, besides a few discourses which drop the slightest pretension of being Shandean or Tristramic and are plainly and simply the author's. In the Journey there is more unity; but it is, quite frankly, the unity of the temperament of that author himself. The incidents--sentimental, whimsical, fie?fie--have no other connection or tendency than the fact that they
attractive. It is not the sentiment that is here to blame, because Sterne has luckily not forgotten (as he has in the case of his dead donkeys and his live Marias) that humour is the only thing that will keep such sentiment from turning mawkish, if not even rancid; and that the antiseptic effect will not be achieved by keeping your humour and your sentiment in separate boxes. Trim is even better: he is indeed next to Sancho--and perhaps Sam Weller--the greatest of all "followers" in the novel: he supplies the only class?figure in which Sterne perhaps beats Fielding himself. About Walter Shandy there is more room for difference: and it is possible to contend that, great as he is, he is not complete--that he is something of a "humour" in the old one?sided and over?emphasised Jonsonian sense. Nothing that he does or says misbecomes him: but a good deal that he does not do and say might be added with advantage, in order to give us the portrait of a whole as well as a live man. As for the other male characters, Sterne's plan excused him--as it did not quite in Mr. Shandy's case--from making them
more than sketches and shadows. But what uncommonly lively sketches and shadows they are! Sterne's unlucky failing prevented him in most cases from touching the women off with a clean brush: but the quality of liveness pertains to them in almost a higher measure: and perhaps testifies even more strongly to his almost uncanny faculty of communicating it by touches which are not always unclean and are sometimes slight to an astonishing degree. Even that shadow of a shade "My dear, dear Jenny" has a suggestion of verity about her which has shocked and fluttered some: the maids of the Shandean household, the grisettes and peasant girls and ladies of the Journey, have flesh which is not made of paper, and blood that is certainly not ink. And the peculiarity extends to his two chief named heroines, Mrs. Shandy and the Widow. Never were any two female personages more unceremoniously treated in the way of scanty and incidental appearance. Never were any personages of scanty and incidental appearance made more alive and more female. His details and accessories of all kinds, descriptive, literary, and